Welcome to the Mirage press room. Below please find a selection of recent feature publications. If you require additional information other than what is provided on this page, please contact: gtcmirage@aol.com
Racing in the Rain (The Publisher's Edition)
By: John HorsmanMy Years with Brilliant Drivers, Legendary Sports Cars, and a Dedicated Team
Racing in the Rain, John Horsman’s detailed memoir of his experience running the famous Gulf-sponsored GT40s, Mirages, and Porsche 917s, is signed by Derek Bell, Jacky Ickx, Brian Redman, and Vern Schuppan. Produced in
a series of 300 ($149.95), of which the first 50 numbers are bound in superior garment- quality leather ($275).
Few can claim that their racing careers spanned the greatest decades in sports-car competition—the 1960s and 1970s—and then extended into the 1980s. Fewer still were consistently successful. John Horsman is one of the
fortunate few.
Features• Story of the Alpine Renault Sports Prototypes in the modern era
• First time the full story in English
• Looks at the racing on the world sports car scene 1973 and 1978
• Describes the efforts of Renault to get outright victory at Le Mans
• Describes the full story of the European championship win by Alpine
• Shows the developments and politics, Renault, Alpine and Gordini
• Follows the development of the Turbo charged 2-litre engine
• Features details of testing the cars
• Looks behind the scenes and the drivers that made it happen
• Each car and race covered, culminating with the victory outright at Le Mans
Description
Sports prototype racing is about endurance - for the drivers, for the teams, and for the companies involved. Under the new management at Renault, and with assistance from Elf, the state-owned French oil company, Alpine made a remarkable return to sports car racing, vividly described here along with the reputations that were won and lost.
Synopsis
Sports prototype racing is about endurance - for the drivers, for the teams, and for the companies involved. Under the new management at Renault, and with assistance from Elf, the state-owned French oil company, Alpine made a remarkable return to sports car racing, vividly described here along with the reputations that were won and lost. Alpine won the European sports car championship and developed a new car, an innovatory vehicle that used a new engine. Not only that, it developed a turbocharged unit to try to win at Le Mans. We see the passion and dedication for racing over a long period, with stunningly fast slippery aerodynamic designs that allowed them to take many pole positions and fastest laps. We see ultimately the new management and a new name, Renault Sport, that still survives today, and the trials and tribulations of trying to develop a V6 turbo engine. We see great engineering and huge, even comical disasters. Despair, frustration and ultimately joy are all part of the effort to eventually take the greatest prize in sports car racing - winning the Le Mans 24 hours.
Features• The first book dedicated to the Mirage Prototypes of 1967-1982
• A complete history and development of the Mirage prototype sports cars of this period
• The full competition history of each individual chassis
• Rare and unseen photographs of the Mirage Prototypes
• A season by season account of the Mirage in the World Championship
• Full list of all races and each individual chassis number
• Profiles of all Mirage drivers from 1967-82
Description
Details the origin and history of the Mirage sports cars, designed by the British-based John Wyer Automotive firm to contest the various versions of the World Sports Car Championship.
Synopsis
This book details the origin and history of the Mirage sports cars, designed by the British-based John Wyer Automotive firm to contest the various versions of the World Sports Car Championship between 1967 and 1975, and funded by the Gulf Oil Corporation. The cars began as developments of the Ford GT40, but they soon assumed their own identity. After 1975, the Mirage was no longer in John Wyer hands, but the name lived on, and it remained a significant player in the World Championship for some years. Includes the developmental and race history, with a full list of all events and individual chassis numbers.
Every factory Ford GT40 is special, yet some are more special than others. The dazzling example featured on these pages, chassis GT40P/1074, earns bonus points for at least three reasons.
The first is that it was the first car to win a major race wearing the now iconic Gulf orange-and-blue racing livery. Another is that it was a member of the trio of GT40s run by legendary team owner, race entrant and team manager John Wyer; those GT40s are chassis 1074, 1075 and 1076 – the last of these famous for becoming the first individual car to win Le Mans back to back. It won in 1968 with Lucien Bianchi and Pedro Rodriguez aboard, and in 1969 with Jacky Ickx and Jackie Oliver sharing the wheel; Ickx took the flag after a breathtaking last-lap duel with Hans Herrmann in a Porsche, vying for that marque’s first overall Le Mans victory, which inevitably came a year later.
And if all this isn’t enough to make a car a star, add to that a stint under the stewardship of Steve McQueen. After an impressive racing career, 1074 was sold out of the John Wyer Associates’ team stable and leased to McQueen’s Solar Productions for use as a high-speed camera car for the filming of his magnum opus motor sport epic, Le Mans. More on that in a bit.
Although it is dubbed and specced a proper 1968-model GT40, 1074 was actually constructed during 1967, and first raced that year as well. Its bodywork and specification are pure evolutionary ‘first generation’ small-block V8-powered GT40. It wasn’t constructed as, nor ever raced as, a big-block 427-powered car. It wears some of the mechanical and aerodynamic development bits of the big-block GT Mark 2B, but isn’t to be properly considered one of them. The engine is a 289ci Ford ‘Fairlane’ small-block V8wearing Dan Gurney Eagle heads, spinning out 440bhp at 6800rpm.
The mighty motor is topped by a phalanx of 48IDA Weber carbs, and the package is backed by a ZF 5DS-25/1 five-speed transaxle, similar to the ’box used in a De Tomaso Pantera or a Maserati Bora. The suspension is de rigueur GT40: unequal-length control arms up front, and trailing arms and unequal-length control arms out back, with Koni adjustable shocks and Girling disc brakes all round. It all rides aboard a 95-inch wheelbase. Rectangular Lucas driving lamps are aerodynamically encased in Perspex, while small dive planes just ahead of the front wheels help keep the front end pinned down on long, high-speed straights.
The cabin is standard-issue GT40, with the driver on the right side, and a long, flat instrument panel. The tach is visible dead ahead through the undrilled, aluminium steering wheel, with ancillary gauges and rocker switchgear stretching out to the left. The seats are black vinyl-trimmed buckets, the material peppered with small metal ventilating dots. The ZF shifter is placed just to the right of the driver’s seat so shifting is accomplished with the right hand; more comfortable for the wide variety of drivers that piloted GT40s. Small ‘eyeball’ vents, assuredly sourced from some compact European Ford of the period, did little to cool the cabin during long, hot races, but provided a smidge of much-needed air. The wide sills and roll cage somewhat hamper ingress and egress, but the doors are cut well into the roof and open wide, to facilitate quicker driver swaps.
1074’s racing career wasn’t world-beating, but it was significant; impressive, even, as Porsche’s dominance in big-game sports-car racing was already asserting itself, and the GT40’s days were numbered. 1074’s debut victory came at Spa in 1967 at the hands of Dr Dick ‘The Flying Dentist’ Thompson and the magical Ickx. Besides Ickx and Thompson, 1074 always squired top pilots: David Hobbs, Mike Hailwood, Paul Hawkins and Brian Redman among them. As a member of the chassis 1074/1075/1076 troika, this car also lived a portion of its career as a Gulf Wyer Ford GT40 Mirage. This meant a cocktail of mechanical differences,
and the use of revised and much lighter bodywork. The latter is constructed of ‘super lightweight panels with carbon filament’; what we now loosely refer to as carbonfibre, which was just beginning to make its appearance in motor sport, and represented a substantive advance over the more conventional, and less structurally strong, fibreglass.
Chassis 1074 DNF’d at Daytona in 1968, but ran 28th at that year’s Sebring 12-hour. Hawkins and Hobbs drove it to an overall win at the Monza 1000km in April, and Hobbs and Redman finished sixth at the Nürburgring. Unfortunately, it DNF’d – while its sister car (1076) won – at Le Mans. It ran a few more races in Europe in 1969 with no particularly notable result. By this time, the fearsome Ford had pretty much run its course; it was becoming a bit dated and was no longer a frontline competitor, so many of the cars were retired. In 1970, one David Brown (not to be confused with the David Brown of Aston Martin ownership and fame) purchased 1074 and 1076. He then leased 1074 to Steve McQueen’s Solar Productions Company for use as a high-speed camera car for the filming of Le Mans.
McQueen, ever insistent on absolute realism in his films, had already deemed that one of his goals for Le Mans was that the racing action sequences feature numerous authentic race cars – including many of the Porsche 917s, Ferrari 512s, Lolas and Matras that competed in the 1970 race – and that they be filmed at full speed or as near to it as possible. Naturally, an old French lorry truck or rental car, racked and filled with large movie cameras, stood no hope of keeping up with the fast film fleet. Thus McQueen’s own 908 Spyder (in which he and Peter Revson finished second overall at Sebring that same year) was modified and pressed into camera-car duty.
The star and producers judged that another dedicated camera car was needed – something fast, of course – yet, since it would not appear in the film, it needn’t be a current class-legal race car. A Ford GT40 would fit the bill, and somehow (it’s thought through Wyer), Solar came in contact with Brown. Solar arranged to lease the car for production, and engaged Wyer to fettle it in France during that summer of 1970. It turned out to be one of at least three cars called into camera duty for the making of Le Mans, another being one of the Gulf-liveried Porsche 917s used on set.
1074 required no performance modifications to keep up with the rest of the crowd, but needed major plastic surgery in order to accommodate the large, semi-robotic cameras. Most of the roof section was removed, which left a short, squat windscreen, and the rear deck area was modified to hold a rotating camera. Those who drove it, primarily racer Jonathan Williams, labelled it as aerodynamically unstable, but that didn’t matter as long as the car was fast enough to keep up with a 917 or 512 for a short burst of film. The doors were also cut down, making the modified bodywork look quite roadster-like. The doors apparently didn’t latch too solidly, as several archival movie stills from the Le Mans set show them taped shut.
No matter – 1074 delivered the goods, and successfully helped capture the wheel-to-wheel racing action that features so prominently in Le Mans. The car also cruised up and down the pits prior to the start of the actual 1970 race, capturing the cars being readied for the race, and the pit action and crowd scenes.
Post Le Mans, 1074 returned to Mr Brown’s possession in Florida, USA. He kept it only a few years before selling it on to Harley E Cluxton III, himself a notably capable racer, and ultimately race-car builder, team owner and entrant. Cluxton’s influence has touched many Ford GT40s along the way, and he continued to further the Mirage legacy. His GTC Grand Touring Cars Inc in Scottsdale, Arizona, buys, sells, restores, services and supports a wide variety of classic car and vintage-racing activities, most particularly these special Fords. Mr Cluxton also previously owned GT40 1076, sister car to this one, and the much hallowed back-to-back Le Mans winner. In fact, the two were often housed next to each other in the GTC shop and showrooms. In 1974 Mr Cluxton elected to move the car on, selling it to noted British collector Sir Anthony Bamford.
In spite of 1074’s unique appearance and iconic movie status, Sir Anthony rightly felt the car deserved to live in its original racing livery and it was consequently restored to regular GT40 body configuration, with replacement bodywork provided by Abbey Panels Ltd. Original GT40 doors were sourced and replaced the irreparably cut-down units used to facilitate filming. There were subsequent sales, although Harley Cluxton reacquired the car in 1983.
It was then purchased by its current owner, Bernie Carl, who had it fully restored again in 2002 and has consigned it to RM. The car has seen modest historic racing activity over the years, but still appears fresh and proper and with only the mildest of patina of use from its many display appearances and a few runs up the hill at the Goodwood Festival of Speed. Chassis 1074 has spent much of the last several decades in Cluxton’s care at GTC in Arizona.
As photographed here and as it will be sold by RM Auctions at Monterey, California, on 17-18 August, the car wears its ‘standard’ GT40 bodywork, although the lightweight and historic Mirage panels are crated for transport and included in the sale of the car, as is a complete, period-correct spare engine, plus an assortment of extra wheels. Something for the weekend? We’ll take two…
Thanks to RM Auctions, www.rmauctions.com, and Harley E Cluxton III of GTC Grand Touring Cars Inc, www.gtc-mirage.com.
PROFILE: MAGNIFICENT MIRAGE 1972 Mirage M6
Ed McDonough
The Mirage story is, in some ways, a rather complex one, in that the Mirage was a rare example of a well-known racing car that had not been developed consistently year by year, as had been the case with Ferrari, Matra and Alfa Romeo in the late 1960s and early to mid-1970s. The Mirage was born from Ford and necessity, and it took some time to establish itself as a marque in its own right. Like Ferrari, Matra and Alfa Romeo, it managed to do that, and became a front runner in the World Sports Car Championship, with notable victories and exciting performances from exceptional drivers.
The Mirage was largely the product of the work of two men who had a lasting impact on motor racing. One was rather better known than the other, but the second had a much longer connection with the racing Mirages than the former. We are very fortunate that both wrote comprehensively about their racing careers, so much of the Mirage history is accessible.
John Wyer had been the competition manager for Aston Martin Lagonda Ltd. and then general manager of the company. In 1958, a young John Horsman had a job interview with Wyer and was offered an apprentice position with the company. Horsman then worked very closely with Wyer in the later years of the Aston Martin racing program, which was wound up at the end of 1963. Wyer famously joined Ford to sort out the GT40 for international sports car racing, while Horsman went back to education. He was subsequently invited to join Wyer as his assistant, which he did when he finished his course at London’s LSE in June 1964. They were to work closely together for many years to come, and remain friends even longer. Wyer eventually following Horsman out to Arizona to live.
Wyer and Horsman were based at the Yeovil Road headquarters of Lola Cars in Slough. In 1963 Lola’s Eric Broadley had been assigned by Ford the task of turning the Lola GT that had run at Le Mans into the GT40. Many Lola and former Aston Martin staff were engaged in this project. The GT40 was unsuccessful at Le Mans in 1964, and failed again at Reims just days later. Ford Advanced Vehicles had been established just before Reims, and when the Reims disaster took place, Broadley left Ford politics behind, taking his staff and some of the ex-Aston people with him. English engineer Len Bailey had been working for Ford in the USA and came to Slough as part of the GT40 project, remaining there after the split with Broadley. Horsman became the engineer responsible for development, preparation and racing at Slough, and the JW/FAV force really began to take off.
The next two years witnessed a serious advance in sports car racing, and the continuation of Ford politics in motor sport. Though FAV had the contract to build 100 GT40s, later reduced to 50, Carroll Shelby had become a Ford partner and assumed much responsibility for Fords going racing. FAV became rather second class citizens, entering few races but doing virtually all the development work. In addition, American Ford engineer Roy Lunn had gotten Ford to focus on a new car, the X-car, a NASCAR-engined chassis based on the GT40, which became the Ford MKII. This took place while FAV was still developing the GT40. When Ford lost at Le Mans in 1965, the FAV program was cancelled, and then reinstated two weeks later. In 1966 FAV was relegated to providing support for customer road and racecars. However, though Ford won Le Mans in 1966, FAV-supported cars won the World Sports Car Championship. Ford had announced that the GT40 build program would end in the autumn, and the very last car was delivered just before Christmas 1966.
John Wyer had purchased the assets of FAV and an agreement to continue to build and sell Ford GT40s. On January 1, 1967, the FAV sign was replaced by one which read J.W. Automotive Engineering Ltd., and the directors of the new company were Wyer, Horsman and John Willment who provided financial investment.
Significantly, Gulf Oil Corporation executive Grady Davis had spoken to John Wyer in March and ordered a GT40 for himself, which was delivered in April, and he was very impressed with the car. The link with Davis and Gulf would mark a turning point for Wyer, Horsman and many others. When Wyer was winding up the arrangements with Ford toward the end of 1966, he visited Gulf Oil headquarters. Gulf Oil Racing was created, and Wyer’s operation had generous finance for the future. Though it did not yet have a name, the Mirage program was underway.
Mirage is born
In 1966 and 1967 there were two championships within endurance racing: one for Group 6 prototypes over and under 2-liters, and one for cars which had been homologated in a production run of no less than fifty cars—Group 4 cars.
As the 1967 season opened, not everyone realized that this would be the last year for the unlimited prototypes. The FIA had completely reversed its earlier tendency to favor GT cars, and now were promoting the prototypes. If the teams had known what was coming, 1967 would have been a less interesting year. The JW team that would now be racing under the banner of the Gulf Oil Racing Team, knew the rule changes were coming, but considered it was still a good move to build an “unlimited” prototype. Regulations such as windscreen dimensions had already changed and Len Bailey had drawn up plans for what was essentially a GT40 that incorporated the new rules. This meant JW had a design for a car with a lower frontal area and less drag.
For the whole story, see the January issue of Vintage Racecar.
Marino Franchitti accepted Grand Touring Cars’ invitation to exercise the iconic Le Mans race car at Laguna Seca, where he won ALMS championship rounds in both 2013 and 2010. GR8 802 finished 3rd OA at Le Mans in 1975, 2nd OA in 1976, and 2nd OA again in 1977 — an incredible feat for a single chassis at the legendary 24 hour race. Photo credit: Marshall Pruett
Marino Franchitti through the Corkscrew. Photo credit: John Lamm
(From Left) Marino Franchitti, older brother Dario Franchitti, and Harley Cluxton III.
For 48 years Grand Touring Cars, Inc., has been the FIA Manufacturer of LeMans winning Mirage®
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